In The Magic and the Mayhem every one of John’s children is different. For those of us who have raised a child we know that just one child is capable of demonstrating each of his kids’ behaviors, sometimes all in one day.

Cecelia is the “spoiled” one. She has been raised with all of the advantages. She knows what she wants and wants it now!

Frank Lee

1 Jul 2008 In: Fank Lee, Julie Miliner

My next book is called Frank Lee. It is loosely based on the lives of my parents. My mother was born in South Carolina but raised in Harlem, New York and my father was born in North Carolina and raised in Cambridge, Massachusetts. My mother is interracial, her African-American mother and her white father never married. Of course it was against the law for blacks and whites to marry in the 1930’s. Many people married one another out of respect for each other rather than the law, but in the United States, interracial marriage only actually became legal in 1967.

The story spans the time before they were born through the birth of their first two children. I was their third.

The launch of Frank Lee is planned for September 2009.

Mind & Matter

30 Jun 2008 In: Julie Miliner

At a recent book signing someone asked me what my motivations were to write. When I responded in general about where my writing impulses come from she shook her head and rephrased the question. She wanted to know why I wrote this book.

A lot of things inspire writers to write. I explained that when I started on The Magic and the Mayhem I had no idea where the story would lead. I generally write whatever comes to mind and after about a week of writing a story emerges that I can influence to go one way or another. This is perhaps when characters emerge who have a story to tell based on my personal biases. Adding antagonists, which are sometimes people and sometimes situations, help lead the main character through the triumphs and failures of life’s lessons.

One theme in most of my stories has to do with the lonely or abandoned heart. In this book, the abandoned hearts seem to be the children’s or their mothers’ but I hope the idea that John Drake’s heart was at least lacking something based on his actions as a younger man were conveyed.

I do feel a certain and particular need to speak to young men who for whatever reason find themselves absent from the lives of their children. A child depends upon a father obviously for financial support but for emotional support as well. As The Magic and the Mayhem began to take form, I realized that when men walk away they’re virtually cutting part of their life’s growth away. At the end of the day the void turns inward leaving them with an angst that cannot be healed or reversed. The part of the phyche that could have been formed is empty, except that the rest of the world celebrates fatherhood, something that, even though they bore children, they have unwittingly bowed out from the right to participate.

John Drake, the main character in my book, The Magic and the Mayhem, is what I’d call a loose man. For years he’s been a proud baller and shot caller who handles women like a juggler trains balls to stay in the air. He’s one of those men who knows he probably has children but stays one step ahead by “shredding the letters from social services without opening them”. He thinks that out of sight out of mind means that somehow they don’t exist.

When fathers are not present in the lives of their children the children are left with a void that reverberates throughout their lives. In my story, John learns that there’s more to life than Berber carpet and his prized corvette. He discovers that being a responsible parent is not the worst thing in the world and can very well be the best thing that could ever happen to him.

Do you know any loose men?

For an author reviewing a post published work it can be nerve racking rethinking certain parts of the story for which I could have elaborated more. For instance, the Elizabeth Oliver (Betts) character in The Magic and the Mayhem is a single parent by choice. I wonder what her motivations were to have a child out of wedlock when she obviously had so much going for herself.

She has an important and prosperous job, excellent friends, a condo worth half a million dollars and yet she has a daughter on her own, with ostensibly no immediate plans to include the child’s father in its life.

To me, it seems that she is a selfish participant… a greedy mother who wants a mini me… if you will. So many women now-a-days do. They may not have as much going on for themselves as Betts does but still they choose to have a baby on their own whether or not the father is on board or not. The question I ask is whether or not it’s worth it in the end?

Welcome to my Blog

This blog is dedicated to my writing and will hopefully give other first time novelists an opportunity to learn from my journey. I try to write every day. My first (writer's) draft is written without any thoughts as to where the story is going. After the initial twenty pages or so I put together an outline because the characters really do take on a life of their own, and it takes a certain measure of discipline to remind these "made up characters" that you're the boss. Following an outline allows your story to have a fluid beginning, middle, and end. Without an outline and a dedicated resolve to follow it the story will be scattered and may never find its end. I usually read through a chapter ten or more times before I'm satisfied enough to move on to the next one. I never let anyone read my novel until its ready to go to the editor. I chose to self publish The Magic and the Mayhem using www.lulu.com. Self publishing gives authors a tangible product so they can introduce their work to the world, get feedback, and strengthen their skills. Some people think its cheating and that it somehow invalidates an author's work but the more traditional publishing houses are virtually impossible to gain admittance to. It's obviously not impossible but getting into the game is like hitting the lottery. I recommend self publishing along with routinely submitting your work to reputable publishers but while you're waiting, keep writing!


The Magic and the Mayhem Reviews

Review by Steven J. Pradia

November 2, 2008

The debut novel of Julie Miliner, The Magic and the Mayhem is a tale of a 30-something man reaping all the benefits of a single life. Selfish as ever, John Drake doesn’t eat much because he’s cheap. Drake doesn’t form relationships solid enough with the bevy of women he beds as he’d rather continually play the field. The protagonist of Magic also does not have protected sex and subsequently learns the value of following this teenage lesson. The early chapters of Magic detail the quickly uncovered newfound fatherhood Drake finds himself inheriting. A first knock on his door comes from Tiny. The little boy nearly identical to a younger version of Drake is a result of his army days as a youth. The second knock reveals Tomeka, the lone child he was aware of yet opted to avoid for over a decade. At a point when Drake playing Dad to two children in a spotless one bedroom apartment seems like plenty of fodder for the remainder of the novel, a third knock comes along. This bundle of joy is just that, a set of twins and a toddler are amongst his newest order of responsibilities. As if overnight, Drake is “sinking deeper and deeper into the abyss where all single men who don’t wear protection one day fall.” Dodging the threat of eviction from his condo, nasty stares from neighbors and fellow shoppers while in public, Drake makes due if for no other reason than that he doesn’t have a choice. An inevitable coming of age story is developed. The need to protect Italian leather, Japanese stereos and premium box springs is shelved in the name of nurturing a newly discovered gaggle of heirs. While yet a 4th knock comes to the door, a comical run in with a lady friend of Drake’s he’s been avoiding occurs, the general trials of single fatherhood take place and Drake’s growth ensue it is the latter that amounts to the backbone of the novel. I found the outstanding achievement of the story to be the way Miliner gradually develops Drake. The me first womanizer initially introduced is molded into a selfless loving father who in the end hardly resembles the Drake of old.

 

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